![]() ![]() 444/425a, admired as a paragon of symphonic excellence when most people thought Wolfgang Amadeus was the composer, and dropped from the repertoire like a hot potato when Michael Haydn was discovered to be the primary composer. That includes, to an extent, the Symphony No. Some of Leopold Mozart’s son’s most famous music is in G major. 4 in G major, in which the innocence of childhood is confronted by the brutal reality of adult life. Oops, I forgot about Mahler’s Symphony No. To be clear, the coronavirus is still around. This recording is from two years ago, before the coronavirus emergency could be downgraded. Notice that he puts on a mask before the last round of applause. The conductor, Andrés Orozco-Estrada, sure seems like a nice guy, clapping for his players at the end. The most obvious of these is the trombone fanfare with which the finale begins, but the principal flutist also gets a solo she can really sink her teeth into, figuratively speaking, of course. I especially like the finale, a set of variations that gives several important solos to some section leaders.
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